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UK/Russia 1992
Directed by
Sally Potter
90 minutes
Rated M

Reviewed by
Bernard Hemingway
3.5 stars

Orlando

Sally Potter's gorgeous-looking interpretation of Virginia Woolf's 1928 novel (which was dedicated to and inspired by Vita Sackville-West) tells the story of Orlando (Tilda Swinton) from her beginnings in the court of Queen Elizabeth I (Quentin Crisp) through his 400 year life until his incarnation as a writer in 20th century London.

The film spends most of its time in the 1600s, gradually picking up speed until it whips through the last couple of centuries at breakneck speed. A good part of this seems to amounts to little more than a Derek Jarman-cum-Peter Greenway-ish indulgence in lavish visuals with Swinton in ever-more over-the-top costumes, as Orlando woos a Russian ambassador's daughter (Charlotte Valandrey), becomes an ambassador to a Middle Eastern country where he miraculously becomes a woman and returns to England where she is faced with disinheritance because of her gender trans-substantiation.

Up to this time the film, despite its wonderful visuals, wears one’s patience probably more than it charms. Aside from the trendy intermittent address by Orlando to the camera, the script is sometimes heavy-handed in its oracular pronouncements but more importantly Swinton makes for a very poor man thus undermining any credibility that is supposed to accrue from Orlando’s socially-codified gender attribution (Crisp on the other hand is wonderfully believable as the decrepit Queen Liz).

Once Swinton gets to be a woman, however, she shines and the emotional and the decorative aspects of the film come together superbly, albeit too briefly. With wonderful cinematography by Alexei Rodionov and production design to match from Ben Van Os, along with an excellent score, co-written by Potter and David Motion, Orlando is far from a crowd-pleaser but as a statement in visual style is a small treasure.

DVD Extras: Two documentary features dealing with the film’s shooting in Russia and Uzbekistan that show just what a triumph the making of this film was; Jimmy Was An Angel that looks at Jimmy Somerville’s contribution to the film; Venice Film Festival Press Conference; Theatrical trailer. Available as part of both Umbrella’s Essential World Cinema and Literary Adaptation - Britain series

Available from: Umbrella Entertainment

 

 

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